http://books.google.co.uk/books/about/Networked.html?id=G72FUP5_238C&redir_esc=y
Becoming a Freelancer.
- Finding a nice working space
- Plan out writing for each day
-Comfortable chair, good posture
-Notebook, contact list, memory stick, backup
-Keyboard skills, short hand.
-Which genre
- Professional Road Map
-Research
"The way it works is that freelance
journalists sell article ideas to magazines and newspapers, otherwise known as
'pitches'. It sounds easy in theory, but it's worth remembering that there are
very few 'new' ideas - the trick is finding a original angles on topics or
themes which may have been covered in the press time and time
again."
"The best freelance journalists usually have a good knowledge of current affairs and read lots of newspapers and magazines, as they are always on the hunt for new ideas or fresh angles."
"Before you even think about pitching ideas, it is a good idea to spend some time reading the publications you would like to write for to get a good feel for the target audience."
"The best freelance journalists usually have a good knowledge of current affairs and read lots of newspapers and magazines, as they are always on the hunt for new ideas or fresh angles."
"Before you even think about pitching ideas, it is a good idea to spend some time reading the publications you would like to write for to get a good feel for the target audience."
"It's also worth picking out individual
articles and asking yourself why you think the editor ran that particular story
and why it might appeal to their target audience. This should help you come up
with original feature ideas which are well suited to the publication and should
appeal to the editor."
"Feature
ideas come from a variety of sources: new research, events; such as. Cancer
Awareness Week, news stories, personal experiences - the list is endless!
Generally, those which are tied to some new research or a topical news story
often have the most chance of being accepted – or ‘commissioned.’
"When pitching stories, it is really important to find out exactly who edits the section you are pitching to. This information can usually be found by telephoning the switchboard of the publication.
"Most editors prefer email pitches, but some get hundreds of pitches a week, so if you want to be in with a chance of getting published, you need to be willing to follow up over the phone. If your idea is particularly timely, sometimes it’s best to get straight on the phone with the idea and not bother with the email.
"Always remember that editors are busy and there are hundreds of people like you trying to interest editors in their ideas, so always ask if it is convenient to talk and offer to call back another time if not.
"Even
if an editor doesn't like your idea and tells you so over the phone, this can
be a great opportunity to tell them a bit more about yourself and maybe find
out a bit more about what they're looking for - so that next time you pitch an
idea they might remember you. Which is definitely a good start in this
business!
Jan Murray
Developing Ideas.
-Be specific with an idea
-Coming up with a title may help
-Having a subject and Idea
- Understanding what the reader wants
-Researching
“The
audience is dead. Long live the audience.”
Jeff
Jarvis 2004
Dan
Gillmor: We
the Media: “the people formerly known as the audience”
Tom
Curley,
Associated Press CEO: "The users
are deciding what the point of their engagement will be -- what application,
what device, what time, what place."
Mark
Thompson, ex
director general of the BBC, uses the term: The Active Audience ("who
doesn't want to just sit there but to take part, debate, create, communicate,
share.")
Rupert
Murdoch,
warned US newspaper editors: "They want control over their media, instead
of being controlled by it."
(Poster
in McQuail:119) enabling many to many conversations, simultaneous reception,
alteration and redistribution of cultural objects, dislocating communication
from territorial constraints, providing instantaneous global contact, inserting
the ‘subject’ or person into the network.
“If the concentration and centralisation of
editorial power are two distinctive features of the [British] national press, a
third is the weakness of its professional culture. The British national press
is strongly influenced by entertainment values and political partisanship,
making it different from American print journalism, with its stress on balance,
dispassion and a public duty to inform." James Curran: Submission to Leveson.
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